Chô Tôsai (1713-1786) Ôbaku Pleasure boating and one line calligraphySigned: Sokushin Seals: Yô noin, Tôsai, Ware kojin o omou (top) & Chôyô zusho, Chû .. betsugo Tôsai Technique: sumi on paper 100,6 x 27,6 Mounting: light brown damask 186,5 x 40,4 (2x) Condition: the right one lightly soiled, otherwise very good The inscription, a note by the Qing poet Wang Shizhen (1634-1711) from 池北偶谈, ”Chi bei ou tan” “Coincidental talks north of the pond” reads: 松火圍背坐 [a variant of: 松火围寒坐,溪窗闻夜渔。] “[In the cold] around the fire of pinewood with your back turned [towards the fire], [At the window by the the stream listening to the nightly fish.]” Tôsai was the son of a Chinese and a courtesan from Nagasaki. As a young boy he became a monk at the Kôfuku-ji, a temple of the Ôbaku Zen sect, where, eleven years old he studied with monk Jikuan Jôin (1696-1756). When he was 28 years old he left the monastery and travelled all over Japan. He lived in Edo for ten years and also in Kyoto for a while. In 1758 he moved from Edo to Osaka, where he finally settled in 1770, making a living by selling medicine. He started teaching Chinese literature, calligraphy and seal carving. Tôsai was a charismatic and convivial figure and a major source of inspiration to students, who were among the leading literati in western Japan. He was the teacher of Baigai (1749-1804) , Kimura Kenkadô (1736-1802) and Rai Shunsui (1746-1816), the father of Rai San'yô (1780-1832). Tôsai was more famous as a calligrapher; his paintings are rare. Reference: Araki pp 1903-1904 Moog pp. 499-500 Nagasawa # 1941 Rosenfield p. 49, 103 Beerens p. 54 Price: ON REQUEST | |